• Sectors we work in banner(2)

    Quick Reads

UKIPO guidance on NFTs and virtual goods

The UKIPO has published Practice Amendment Notice 2/23 regarding the classification of non-fungible tokens (NFTs), virtual goods, and services provided in the metaverse.

Unsurprisingly there has been an increasing number of trade mark applications covering such terms. NFTs are not accepted as a classification term on their own without an indication of the asset to which they relate. The UKIPO provides examples as to what will be accepted in class 9, including:

  • digital art authenticated by non-fungible tokens [NFTs]
  • downloadable graphics authenticated by non-fungible tokens [NFTs]
  • digital audio files authenticated by non-fungible tokens

The above cover NFTs related to digital assets, however, they could also be used to authenticate physical goods. In this case, the physical goods authenticated by NFTs will be accepted in the class those goods fall under and the UKIPO provides the following examples:

  • artwork, authenticated by non-fungible tokens [NFTs] - Class 16
  • handbags, authenticated by non-fungible tokens [NFTs] - Class 18
  • Training shoes, authenticated by non-fungible tokens [NFTs] - Class 25

In terms of virtual goods, these fall under Class 9, being data and must be clearly defined, for example, “downloadable virtual clothing, footwear, or headgear”.

The guidance also considers virtual services and the metaverse. A trade mark specification may specify that the services are provided virtually, such as “education and training services delivered by virtual means” or via the metaverse “education and training services provided via the metaverse” both found in Class 41. However, where the service only impacts the metaverse rather than the real world, this may be classified as a form of entertainment in the form of provision of a virtual reality.

The drafting of specifications will require careful consideration. Where and how the goods or services are provided and their impact on the real world will need to be taken into account. This may also lead to challenges when deciding whether there is a conflict between brands in terms of use and/or registration, and until there is certainty could provide hurdles to clearing new brands and deciding what steps to take in a third party dispute.

The UKIPO cautions that the “terms are representative of new forms of goods/services in a fast-moving technological field” and they will therefore update the guidance as and when necessary. It is likely that practice and case law will develop over the coming years, with new ways of delivering goods or services requiring consideration and amendment to practice by the UKIPO. No doubt there will be terms that need to be considered by the UKIPO on case-by-case basis prior to acceptance.

Along with many other registering authorities, we have seen an increasing number of applications for trade mark specifications containing these terms. We have also received requests for guidance on the acceptable ways in which these terms can be framed and the correct class in which they fall. This PAN aims to provide that clarity, albeit recognising that the terms are representative of new forms of goods/services in a fast-moving technological field; we aim to update this guidance as and when new developments arise.

Our thinking

  • Dewdney Drew writes for the AI Journal on AI actors and the legal hurdles facing a digital revolution

    Dewdney William Drew

    In the Press

  • Navigating Regulation (EU) 2019/880: implementation in Italy and competent authorities for the New European Framework for Importing Works of Arts

    Maria Cristiana Felisi

    Quick Reads

  • World Intellectual Property Review quotes Dewdney William Drew on the Getty Images vs Stability AI decision

    Dewdney William Drew

    In the Press

  • Charles Russell Speechlys further expands Intellectual Property offering with new Partner hire in London

    Stewart Hey

    News

  • Facilitated adoption in Switzerland for children born by ART or surrogacy?

    Catherine Merkt

    Quick Reads

  • AI and Intellectual Property: Ownership, Infringement and Reform

    Caroline Young

    Insights

  • The Daily Telegraph quotes Nicola Saccardo on our Italian practice and wealthy individuals relocating to Italy

    Nicola Saccardo

    In the Press

  • Charles Russell Speechlys adds Corporate, Fintech, IP and Art Law team in Milan with Arrival of Annapaola Negri-Clementi and Team

    Nicola Saccardo

    News

  • Exiting an investment - how Single Family Offices can prepare a company for sale

    Mike Barrington

    Insights

  • Copyright Hell: Sketchy evidence is better than no evidence

    Dewdney William Drew

    Insights

  • Retail Collection – Episode 5: itsu [grocery]: driving growth through innovation

    Olivia Gray

    Podcasts

  • The Life of a Showgirl (TM) | How to Launch an Iconic Album?

    Dewdney William Drew

    Quick Reads

  • Why Getty Images v Stability AI Judgment Will Not Answer Our Key Questions

    Insights

  • Sparkling Opportunities: Unveiling the growth and tips for investment into the English sparkling wine industry

    Iwan Thomas

    Insights

  • Triple Play "Bid Fever": UK Tech's ability to scale and go global

    Mark Howard

    Quick Reads

  • The Future of AI and Copyright Regulation in the UK: The Data (Use and Access) Bill finally gets Lords approval in the UK

    Quick Reads

  • Representative actions: lessons learnt from two recent cases

    Simon Heatley

    Insights

  • World Intellectual Property Review quotes Olivia Gray on the post-Brexit treatment of design rights

    Olivia Gray

    In the Press

  • Rebecca Steer writes for Artificial Lawyer on GenAI, copyright and the future of innovation

    In the Press

  • Government received 11,500 responses to AI and Copyright Consultation

    Quick Reads

Back to top